My projects range from audiovisual installations and experimental films to real-time visuals, VR experiences, and immersive environments.

I collaborate with artists, musicians, institutions, and commercial clients. My creative partners include jazz and avant-garde musicians such as Eryk Kulm, Tadeusz Sudnik, and visual artist Marta Kawecka, Krzysztof Franaszek, Barbara Konopka a and cultural organizations like the Warsaw Museum of Praga and the Ethnographic Museum in Kraków.

My work has been shown at major cultural events including Light Move Festival, Warsaw Autumn, Narracje Festival, Singer’s Warsaw Festival. I’ve also contributed (colaboration in projects) to international film projects featured at Filmfest Dresden, Short Waves Festival, Viva Buenos Aires, and VIFF Vienna.

Beyond the cultural sector, I’ve collaborated with some Warsaw agencies , providing creative direction, animation, and motion design for branded content, campaigns, and digital experiences. These projects have included visual storytelling for live events, social media, and commercial video production.

I’m also experienced in 3D modeling and 3D printing, designing custom components, interactive sculptures, and functional prototypes for both artistic installations and product development.

From solo exhibitions like In Infinitum and Sequences: Jan Szczepanik, to interdisciplinary collaborations spanning sound, robotics, and projection, I continuously seek new ways of merging the digital and physical through motion, light, and code.

My work explores the tension between the digital and the tactile — between systems and sensations, algorithms and intuition. In 3D animation, I focus on non-narrative, abstract forms: fluid motion, morphing structures, and surface behaviors that evoke presence without storytelling. Space, light and rhythm become expressive tools for shaping perception.

In installations and audiovisual performances, I design environments that respond to human presence, sound or motion — often in subtle, non-linear ways.

I test AI tools for animation and visual creation, exploring their potential in abstract and generative workflows.

My focus is on experimenting with form, texture, and motion beyond conventional aesthetics.

Collaboration is a key part of my process. I work with musicians, dancers, engineers, and visual artists to create hybrid forms — part score, part sculpture, part machine. These interdisciplinary encounters often function as open systems, shaped by dialogue and real-time interaction.

I’m searching for a material language of abstraction — one that uses digital tools not to simulate reality, but to evoke sensation, memory, and poetic ambiguity. I believe that the most meaningful experiences emerge from openness and the quiet logic of form.